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Atlanta, GA 8.30.09 By: Kelly Lloyd Guess what…chicken butt (ha)! Well, not really. It’s actually Chickenfoot that rolled into the Tabernacle on Sunday, August 30th. Not a name you would think belonged to a band of historic musicians. However, as Michael Anthony stated (as referenced in Wikipedia), “It was supposed to be a bullshit name that we’d use for a while and then [when] the rumors spread about the band, everybody used the name so we thought, ‘Fuck it, let’s call it Chickenfoot’- it all comes down to the music anyway.” That’s exactly what went down that night, about 2 hours of nonstop good old time style rock and fuckin’ roll. The guys hit the stage with overwhelming energy, possibly because the show was being videotaped for an upcoming DVD. Having never really been a Sammy Hagar fan, I was surprised at his sound live and how much I loved it. The guys seemed to gel like they had been together for years and having the time of their lives, which drew the crowd in even further with every tune. Joe Satriani had his signature “wa wa” face kickin’, his mouth mimicking every emotional cry he played. His solos on “Soap on a Rope” and “Down the Drain” reminded everyone of the pure brilliance on that stage. Chad Smith’s percussion delivery was hard hitting and over the top. He seemed to throw out stick after stick, one of which I caught and gave to a friend of mine. Anthony was magnetic on bass all while providing those perfect harmonizing vocals we all love. The chemistry between the band was remarkable, no egos here. The extent of the talent on stage was not lost on anyone in the venue. They knew the greatness they were witnessing. The whole vibe for the evening was fun, fun, fun! You couldn’t help but smile ear to ear while throwing your hands up in the air with each song. The crowd was insane and just blown away. There was even a set or two of boobies shot at the stage, something I haven’t seen in years and hope never to see again given the amount of “saggage”. My 5 hour trek to Atlanta was worth every second to see this sold out show of legends and I will definitely be the first one to buy a ticket to the next one in my area. Chickenfoot has gained a solid fan, so I guess you can just call me a “chickenhead” from now on! DROWNING POOL & CHARM CITY DEVILS Aaron’s Lakewood Amphitheatre Atlanta, GA 8.29.09 By: Kelly Lloyd Hands down, I have to say Crue Fest was one of the best shows I have ever been to in my lifetime. Unfortunately, I missed Charm City Devils and Drowning Pool, but Theory of A Deadman more than made up for me getting in late. They always seem to be right on the money every time I see them. One of the more radio friendly bands in circuit right now, their CDs are some of the few I can listen to from start to finish. Godsmack delivered the raw goods. Their bare bones, hard hitting set sent shockwaves through the venue simultaneous with these big plumes of flames shooting up from the stage. The highlight of their set was a jaw dropping drum jam duel between lead vocalist Sully Erna and veteran drummer Shannon Larkin, during “Voodoo”. I had no clue Sully could pound the skins. Godsmack displayed a raw fire that very few bands these days have the ability of capturing. No hype, no false propaganda, just bone crushing rock and roll through and through. Motley Crue hit the stage in a full hospital theme set up and seemed to have only gotten better with age, as Nikki Sixx crossed the half century mark this past December. I can honestly say that I think they sounded better than I remember. Playing the entire Dr. Feelgoodalbum from top to bottom, almost every person in the venue sang along with at least one song or two (word for word), if not all the songs as some of us did. With two back up singers similar to their famed Nasty Habits from their Girls, Girls, Girls tour, the Crue hit it hard through every song. Sixx displayed his hot coolness that has made the ladies sweat him for over 25 years. Well, except for me, who only recently recognized his sex appeal. What can I say, I was in my Randy Travis “Diggin’ Up Bones” phase when the Crue was at their heights in the late 80’s/early 90’s. "Dr. Feelgood" set the crowd on their feet, where they stayed rockin’, bumpin’ and grindin’ through “Kick Start My Heart,” “Rattlesnake Shake,” Don’t Go Away Mad,” “Girls, Girls, Girls” and my favorite “She Goes Down, “ cuz I most certainly do (ha ha)! I was surprised to hear Vince Neil hit every single note that night and I don’t mean to say I doubted his vocal ability in any way. I just always expect some inconsistencies when a vocalist is throwin’ down as hard as he was for so many nights before. Despite just coming back from a hand injury, Tommy Lee bashed through every song flawlessly and Mick Mars slid through every solo smooth as buttah! I left ,i>Crue Fest tired, sweaty and spent and woke up the next morning feeling like I had gotten the shit beat out of me the night before. The true sign of a kick ass rock and roll show! New York, NY 8.28.09 By: Elizabeth Riscavage True music lovers always have that one band they can never get enough of, the band they love more than life itself. You know every word, from every song, from every album they ever put out. The band you cannot understand how every person on this planet does not love as much as you do. Blue October is that band for me. This was the third time I’ve seen them live and it will not be the last. Their live performances are mind blowing. They don’t need pyrotechnics or fancy props to make their shows amazing. All they need is the band. I have never seen a front man like Justin Furstenfeld. His words are so powerful that you feel everything he’s saying. His dramatics on stage take you right into the moment. When I’ve tried to explain his shows to friends, I can’t seem to find words that are strong enough to describe his stage presence. He sauntered out on stage with an open umbrella held high above his head, while wearing a derby hat and signature eyeliner, starting the night off with his theatrics that all of his fans long for. They mixed their old tunes with the new all night, pleasing the crowd with every choice. The crowd went crazy for “Say It” and “Dirt Room”, off of their latest album Approaching Normal. Halfway through the show, the entire band did a sit down and sang a new song “Graceful Dancing”, not yet released on an album. It was simply beautiful. Between Furstenfeld and Ryan Delahoussaye the entertainment is endless. Delahoussaye holds the violin under his chin while playing the mandolin and then switches back and forth throughout the same song. Then, when he hit’s the keys, he has all three instruments going at once and pulls it off with such ease that without a doubt this is what he was put on this planet to do. Furstenfeld is a dark character. He has suffered from depression, panic attacks, and drug abuse. He has very dark songs and lyrics, but on his latest album he sings some very happy songs about his greatest love, his daughter Blue. He speaks of her often throughout the show and you can tell what an inspiration she is to his music. If you are not a huge fan of Blue October going in, you will be walking out. Their music sucks you in and makes you feel part of something great. Hopefully, they never stop making beautiful, meaningful music. One thing is for sure, if they are still rocking out on stage when I’m 80, you’ll still be able to catch me in the front row. Allentown, PA 8.4.09 By: Elizabeth Riscavage For starters, The Crocodile Rock Café in Allentown, PA is an excellent venue to see your favorite bands. It’s so intimate and your chances of meeting the band are very likely. If ever in the area, give it a shot. That being said, Sick Puppies opened the night. This Sydney, Australia modern rock threesome started the night off with a high energy set that got everyone on their feet. The mostly under 21 crowd was jumping up and down singing along to their songs. Fans went crazy for their hits, “All the same,” “Cancer” and “You’re Going Down”. I must admit that although front man/guitarist Shimon Moore and drummer Mark Goodwin were awesome to watch, I couldn’t take my eyes off of bassist Emma Anzai. She was mind blowing. Not only is she a beautiful girl, but I’ve never seen a bass player rock it like this chick. She stole the show for sure. After they were finished entertaining the masses they stood off to the side and met their fans; signing shirts, posters and CDs. What a rush! Their latest album Tri-polar is in stores now. Next up was Virginia formed now L.A. rock band Hurt. Front man J. Loren Wince walked out on the stage with crazy in his eyes. I love a little crazy in my rock stars! They played a mix of songs from past albums and their latest Goodbye to the Machine. The band seems to have a definite following. Before they started their set, I spotted guitarist/keyboard player Paul Spatola out with the crowd just kind of hanging out and overheard people telling him they saw his band at another venue and then came for more at this show. Fan favorites of the night were “Wars” and “Pills”. The highlight was Wince playing the violin, such an intense musician and vocalist. He made you want to give him all of your attention; beautiful lyrics, beautiful music and a great performance. SCARY KIDS SCARING KIDS, BAYSIDE & THE DEVIL WEARS PRADA Toyota Pavilion Scranton, PA 7.15.09 By: Elizabeth Riscavage The Warped Tour proved to be exactly as expected. A hot, sweaty, sunburned, over the top crazy day! Thousands of teens and a few of us who just don’t know how to act our age showed up for an amazing day of punk, rock, hardcore, screamo and everything in between. The biggest problem was trying to pick which out of 72 bands on 7 stages to catch. Each band had just 30 minutes to show their stuff, so there was very little or no talking in between. Even though the bands seem a bit rushed, it was a great way for them to get their stuff out there and I have seen some amazing bands end up headlining their own tours by starting out this way. The Devil Wears Prada was first up on the main stage at 11:55 in the morning, but that did not keep kids from rocking out to this metalcore Christian band. They gave the kids exactly what they wanted, a head-banging, high energy set. My neck hurt just watching them. Bayside has a following for sure. The crowd was singing along to every song. I look forward to seeing a lot more of this band in the future. Scary Kids Scaring Kids were fun and energetic, but seemed to have a hard time getting the crowd going. I think for no other reason other than heat and dehydration, because they definitely brought their talent to the stage. Another amazing band was the hip hop /punk crazy boys 3OH!3. They drew a huge crazy crowd of body surfers. One word for this band - fun! I was smiling their whole entire set! A band I was sure to see was Underoath. This metalcore Tampa, FL band knows exactly how to bring it to their fans. I literally had to duck kids body surfing at an extremely fast pace towards the front of the stage. I really enjoyed watching drummer Aaron Gilleespie, who at one point stood up on his seat and started belting out a song, very cool. Another highlight was lead singer Spencer Chamberlain jumping off stage and onto the barricade, leaning into the crowd of their biggest fans who braved the front row. They played songs from their latest album Lost in the Sound of Separation including “A Fault Line, A Fault of Mine” as well as some old favorites the crowd went crazy for. Underoath drew one of the biggest crowds of the day. The White Tie Affair was a blast! They had so much fun on stage. During their cover of Lady Ga Ga’s “Just Dance,” bassist Ryan Cook and singer Chris Wallace taped the keyboard player Ryan McClain to the floor! They put on a fantastic show. Great talent! My last band of the day was Senses Fail. The crowd was flying overhead at another great pace for this show. I understand why this punk/screamo band drew such a huge crowd. My 17 year-old niece was front row center for the amazing half hour set they belted out. She was able to meet lead singer James “Buddy” Nielson. He was such a nice and gracious man and signed her Senses Fail t-shirt. They send out a great message to follow your dreams and as they put it, “Follow Your Bliss”. All in all, an exhausting yet great day! Be sure to check out the Vans Warped Tour by you! Scranton, PA 7.14.09 By: Elizabeth Riscavage What a beautiful night for a concert and 17,000 other people felt just the same! Saving Abel started off the night with a great performance. It’s always hard for the opening band to get the crowd going, but they managed to bring them to their feet. When playing their hits: “18 Days,” “Addicted” and “Drowning (Face Down)” off their self-entitled album, the crowd sang along at the top of their lungs. The next band up was Hinder. The first time I saw them was in a very small venue and they rocked as hard today as they did then, maybe even a little harder. They are so much fun to watch on stage. Front man Austin Winkler’s dramatics are pure entertainment, just what I love about a good rock show. After their set, my boyfriend met Winkler on his way off the stage and he shook his hand thanking him for coming. I like that, a very cool guy. Their performance proved their latest album Take It to the Limit is sure to please. Papa Roach exploded on to the stage just like they should. I love how crazy these guys are! Lead Singer Jacoby Shaddix’s head was moving so fast at first that is was difficult getting a picture. He is insanely energetic! At one point he jumped into the crowd, through the pit and into the seats. The crowd went crazy! I actually overheard a security guard say, “This guy is nuts!” The mighty Papa Roach not only knows how to pound out an awesome set, but also how to get a crowd on their feet screaming as loud as their lungs will allow. Everyone was treated to them belting out a mixture of their older songs including “Last Resort” and “Scars,” as well as their already hit “Lifeline” from their latest album, Metamorphosis. Great show! SWEAR ON YOUR LIFE, JADED & ALEXA Sullivan Theater New York, New York 6.26.09 By: Annie Vinton Medusa Festival VI’s line-up included the female fronted bands of the cast of CHIX 6, the all female rock musical, created by the evening’s hostess, Lourds Lane. This year’s selection of bands proved chicks really can rock. I’d never seen any of these acts, but it was clear to me from the start that these bands had hard core fans. Alexa, kicked off the evening with melodic keyboard sounds, smooth voice and story-telling lyrics. Following was Jaded, a four woman band that brought an entirely different energy to the stage with a provocative performance. Each band member wailed on her instruments and I found myself jamming along intensely to the solos during the set. Next up was Swear on Your Life. Unfortunately a snare drum broke, causing a delay. However, the lead singer proved to be a consummate professional switching into stand-up comedian mode, but more impressive was the bravado of her sultry vocals. Queen V was one of my favorites of the night. The intensity of their set was elevated with one statement, “Right or wrong, fight for what you believe in!” The chemistry between the band members was tangible and the temperature of the room was raised with some sexy moments. Sirsy was a different kind of act with a lead drummer/singer combination. Her defining tune, a result of Catholic Italian guilt, was a relatable ditty and I reacted with much applause and cheers. When LOURDS took to the stage, she ripped off her long black coat, putting her fans into frenzy. This gal possesses a charismatic star quality and even though it was long after midnight she attacked her fiddle with sheer enthusiasm and everyone was cheering and dancing. Finally, in the wee hours of the morning, CHIX 6 performed a few songs. The stage exploding with talent and fun they were having was contagious. The only downfall of the evening was it felt like the show went too long. However, if future Medusa line-ups are packed with this much talent, I’d sacrifice my shut-eye. Up next for me, I’ve got to get a ticket to CHIX 6! Orlando, FL 5.20.09 By: Kelly Lloyd I initially told my “people” I had only two words to describe the Queensryche show at the House of Blues, fucking phenomenal! However, they said I had to write more (ha ha). I was initially surprised to find out that although the show was slated to start at 8:30 PM, there were no opening bands on my ticket or on the flyers posted up. I asked several people who the opening bands were, all of whom confirmed only the Ryche would be playing that night. I was puzzled by this but also glad, as I thought it would mean an early night, because I would be driving two hours back to Jacksonville right after the meet and greet. However, I was happily mistaken as the boys put on a well over three hour show, titled “Queensryche Extended Suites”. Ryche’s opening set were hits from their 1986 album Rage for Order, followed by hits from their latest release American Soldier and lastly tunes from my favorite album Empire. They wasted no time in showing the fans their live show was still as dynamic if not more so than back in the day. Geoff Tate’s vocals were tight and right on point, hitting every note both high and low. His stage presence was as captivating as ever. Homeboy is fine! Ryche’s live show was always epic and this performance was no exception. The crowd was loud and into the “Rage Suite” toe to toe, as the guys tore through “Walk in the Shadows” and “I Dream in Infrared”. Moving into the “American Soldier Suite,” a soldier got the crowd hyped up and rockin’ at the beginning, however, the crowd quieted down with the tunes “The Killer” and very emotional “If I Were King”. Lighters and cell phones lit up the air as Tate’s daughter Emily joined her father on stage for their “Home Again” duet, all the while a photo slide show lit up the big screen on the back of the stage displaying photographs of military men and their families, truly a touching moment. However, the somber mood quickly dissipated as the first keyboard notes of “Best I Can” were played and the crowd went crazy once again as the boys lit into their “Empire Suite”. From “The Thin Line” to “Jet City Woman” and then “Empire,” Queensryche showed that despite over 20 years in the business they are still a force to be reckoned with! So even without Tate’s tight black leather pants or hot spandex shorts, they still have it goin’ on baby! It’s definitely a show you do not want to miss! SAVING ABEL & PRESIDENTS OF THE USA Red Mountain Entertainment Francis Field St. Augustine, FL DAY 2 - 5.9.09 By: Kelly Lloyd The second day of the Ancient City Crawfish Boil definitely started out better than the first. Local acoustic band Shawn Fisher and the JG’s opened the festival with a fantastic performance, as did the Presidents of the USA. The thing I found most interesting about the Presidents was lead singer Chris Ballew plays basitar, a modified guitar with 2 bass strings and although he didn’t “jump and spin” like Flyleaf’s guitarist, he repeatedly threw it down old school with the Chuck Berry jump (ha ha). Next up was Saving Abel, a radio friendly rock band who really put on a show. Frontman Jared Weeks definitely held the crowd’s energy to a maximum during their set. When they got to their hit “I’m So Addicted, “almost everyone in the crowd was singing along word for word. This is a band I will definitely follow. My Candlebox boys were next. A band I love, love, love more than life itself. If ever there was a band that defines me, it would be them. You have the amazing Kevin Martin on vocals, moving from one side of the stage to the other screaming his ass off. Then you have the rest of the band just kind of laid back and groovin’, chill and easy like. They treated the crowd to older hits “Far Behind” and “You” as well as new favorites off their latest CD Into the Sun. If you haven’t ever seen this band live, do it, because I say so! I popped my cherry with Hinder and although I am not really a big fan of theirs, I really enjoyed their set. Austin Winkler has this distinctive sort of raspy voice, much like Buckcherry’s Josh Todd, that I enjoy so much. They also seemed to play to the audience, pulling them into the show with each song. Their hits “Lips of an Angel” and “By the Way” have always touched me a little personally, because of certain circumstances in my life and isn’t that what a good song is supposed to do? My cherry was also popped by headliner Three Doors Down. The crowd roared at even the slightest flash of activity from these guys. They kicked ass! It’s funny, because I always find most bands have a mood for the most part. Staind is depressed and in angst. Sevendust is angry and pissed. Alterbridge is sad but inspired. I found 3DD to be positive and hopeful. Most of your average everyday rock fans can find a song of theirs to identify with such as “Kryptonite, “ a song about staying strong in the midst of a changing relationship or “Be Like That,” which allows you to imagine living a different life within your own, something most of us have done at some point or another. 3DD’s charisma was definitely exuding. It made my day to shoot singer Brad Arnold’s most amazing dimples and life is great when you get to shoot hot rock stars as a hobby! Red Mountain Entertainment Francis Field St. Augustine, FL DAY 1 - 5.8.09 By: Kelly Lloyd I should have known when I saw the opening band for the first annual Ancient City Crawfish Boil doing callisthenic stretches side stage before their set that I was in for a real special treat. The screeching vocals from their frontman combined with their cheesy and choreographed stage act made me think that hearing and watching a live cat get skinned alive would have been a better alternative as an opening act. I will spare you and them the mentioning of their name. Thankfully, next up was Corey Smith, an acoustic country type musician from Athens, Georgia, whose music I was not familiar with in the least. Strangely enough, several months ago I came across a song on the internet called “When the Sun Goes Down in Georgia” and it reminded me of special friend that had been missing from my life recently. Imagine my surprise when I heard Smith play the first chords to this very song. Smith’s songs were truly a mixture of several genres of music including: country, blues, rock and blue grass. His soulful lyrics seemed to touch the variety of faces peering out from the crowd as they sang to his tunes, “If I Could Do It Again” and the very bluesy “In the Mood”. Next up on stage was Flyleaf, an alternative rock band fronted by a girl that didn’t look over 15 or any taller than 5 feet but packed the vocals of a giant. Starting off with their hit “I’m so sick,” their set ran as hot as the temperature that day. One of the things I liked most was they just “shut up and sang”. There wasn’t unnecessary chatter, which 9 times out of 10 most people can’t understand anyway. The lead guitarist kept me chuckling with his “jump off something and spin” move. He must have done it at least 50 times, off the speakers, off the drum riser, off a side stage platform. Perhaps he drank too much Red Bull. The highlight of my night was of course Snoop to the D-O-double G! Let me just say that he is one smooth Muthafucka! I was surprised to find I knew almost every song and was rapping along with him while I shot to such hits as “Who Am I (What’s My name)?,” “Still A G Thang” and my favorite of all time and the one I know word for word “Gin and Juice”. Backed by a full band, Snoop definitely came on full force. When this festival was initially announced and I saw the spectrum of bands that would be playing, I remember thinking, “Wow, what is gonna happen when you gather rock, country and rap fans together?” Well, that question was certainly answered during Snoop’s set. As I looked out into the audience and saw everyone rapping along with him or at least moving to his groove, it was evident that only Snoop could have unified this array of music lovers! HED PE, COLD, ALL THAT REMAINS & POP EVIL Tinker Field Orlando, FL 4.25.09 By: Kelly Lloyd The 16th annual Earthday Birthday celebration went down at Tinker Field in Orlando, FL on April 25th. This festival, to promote being more “green” and environmentally friendly, has always been one I look forward to, given the likely awesome line up as well as the fun and crazy fans that always seem to show up. Although, this year’s line up was a little lighter. I had never heard of the main stage opening band, Pop Evil, so I was surprised to find myself grooving to some of their tunes while shooting them. The second band, All That Remains, was the best act of the day! Their energy seemed to feed the crowd and female bassist Jeanne Sagan could hang with the best of the boys. Next up was HED PE, who basically had me wanting to say, “Just shut up and sing”! Frontman Jared Gomes spent more time bitching about politics than he did putting on a show, not to mention they only played part of their songs. Many of their tunes just cut off in the middle, so he could start bitching again. If at all possible, I will make it a point to never see them again. One of the bands I was most excited to see was my hometown boys Cold. They were on point with every tune and the crowd definitely seemed to appreciate this reunion. My all time favorite band, Candlebox, was up next. Although they played many of their hit tunes, I was sadly disappointed that midway through their set they broke out into a “cover tune showcase”, including Ozzy’s “Crazy Train,” Led Zeppelin’s “Immigrant Song” and a Jane’s Addition tune. While I would’ve welcomed this, had they been headlining, I thought it was lame for them to waste 10 minutes of their set this way. I came to hear Candlebox, not a cover band. Static X hit the stage next, a band I’m not really familiar with, as they are a bit harder than my normal musical taste. I was quite surprised to see Will Hunt (DnD, Evanescence, Skrape) throwin’ down on the drums, one of the best drummers out there today. Next to rock the stage was Chevelle, a 3-piece band of brothers/brother-in-law that weren’t on the top of my listening list previously, but had amazing stage presence and kept the crowd enthralled in their show. I never realized how talented this band is and was sucked into the show singing “Send the Pain Below” along with the rest of the crowd. The dynamic trio tore through their set list, which included old tunes “The Red,” “Closure,” as well two new ones: “Letter from a Thief” and “Sleep Apnea,” both of which are from their upcoming album This Type of Thinking (Could Do Us In) set to be released some time this fall. Last, but not least, 311, who just seemed a little too “bouncy”, coming after more rockin’ bands. I was really surprised they were headlining given the other bands on this bill and although the line up wasn’t up to par given the history of this festival, I had an amazing time! Atlanta Beach, FL 4.21.09 By: Kelly Lloyd While walking into the Land Shark Cafe to see Duff McKagan’s new band, Loaded, my immediate thought was, “I wonder how Duff feels to be playing this shit hole after selling out arenas?” With a crowd of about 50 people, many of them eating dinner at tables, I was less then impressed that a true legend in the history of hair band rock was playing in a hole in the wall restaurant/bar in a small shopping strip mall. However, once he hit the stage, it was apparent that Duff still had his edge. He played as if he were playing for an arena full of people! Performing an awesome mixture of new tunes off their new CD Sick, along with some long loved Guns N’ Roses jams, Loaded definitely put on a rockin’ show for the handful of thrown back metal heads. I wasn’t sure what to expect from Duff vocally, however, I was pleasantly surprised to find a guy that could carry a melody quite nicely. Mike Squires (Guitar), Jeff Rouse (Bass) and Geoff Reading (Drums) further solidified the fact that Loaded isn’t Guns N’ Roses or Velvet Revolver. They are their own beast and deserve that respect. If you haven’t heard this band yet, you should definitely check out their first single, “Flatline,” on their MySpace page. Although, I could definitely identify with the extreme need to “rock with my cock out” during this show or, more so, “jam with my clam out”, I wasn’t feelin’ the need to throw down with a bread stick in my hand like this one guy. He was shootin’ the devil horns with one hand and thrusting that bread stick in the air with the other, all the while stuffing his face with a crab cake and you know you’re listening to some good shit if it will pull a Floridian away from his fried grubbage! Duluth, Georgia 4.18.09 By: Kelly Lloyd The first thing I noticed when I pulled up to Wild Bills for the Black Label Society show was half of the parking lot was roped off and reserved for motorcycles. The second thing I noticed was how much I was going to stick out in my fluffy pink shirt, jean capris and flip flops amongst the tattooed, leathered out, long haired, bearded BLS fans. Despite their appearance and my apprehension, these people were some of the nicest people I had ever met. BLS took the stage with a vengeance. The guys tore through their set list with such power that I actually stopped shooting for a moment to put in my ear plugs, a first for me during any show I have shot. The set list included “Suicide Messiah,” during which they brought out a megaphone that made the crowd go crazy, “In this River” a Dimebag Darrell tribute that kind of softened the mood for a moment, followed by “Fire it up” at which time approximately 20 huge black BLS beach balls were released into the crowd for some BLS style volleyball. Since I wasn’t too familiar with their songs, I actually had no clue when one song was done and the next one starting. They just seemed to play and play and then play some more. It always amazes me to see someone that is talented enough to sing and throw down on guitar at the same time and Zakk Wylde made it look unbelievably easy. At some point in the evening Wylde and his “Evil Twin”, Nick Catanese, broke out these matching double necked guitars, something I had never seen or even knew existed and very cool to watch. Another thing I really liked was to see some old style, gut ripping, ear shredding guitar solos that so many bands fail to include these days. BLS definitely rocked my ass and I just might have to put some of their tunes on my iPOD, even if it means I might have to delete some Justin Timberlake or Merle Haggard to make room! Jacksonville, FL 2.13.09 By: Kelly Lloyd All I can say is wow! I definitely ended up digging Soilwork much more than I expected. Being a softer rock kinda gal, I am somewhat guilty of forming predispositions in my mind whenever I hear the word metal associated with any one band, as metal is not one of the genres I normally listen to. Not that I won’t end up liking them, because I ‘m usually pretty good at being open minded and giving love a chance (ha-ha). Although the first band of the evening, Sinerate, seemed to have a combination of metal and melody along with an actual singer not a screamer that I really enjoyed, the next three bands pretty much had that head thrashing screaming sound that made me go outside many times during their sets. I don’t mean to say that I didn’t enjoy what I heard. I actually remember telling my husband several times that I really liked the music from the bands. It was just the continuous screaming “cookie monster” vocals that made me want to gouge my eardrums out. However, when Soilwork took the stage, I was pleased to see and hear a musical metal combination with a lead singer that could actually carry some notes. The band came on stage and immediately started throwing down the heavy licks and animal faces. I was honestly mesmerized by their precisely timed in sync head thrashing. It amazed me that a whole band could throw down in unison like that while continuing to play. That was truly skillful in my eyes. Their songs had a beat that I could move to and singer Bjorn Strid had a voice I found incredibly melodic. Don’t get me wrong, he still had that powerful growl that is prominent in any respectable metal band. On the other hand, he had no problem transitioning into a much smoother harmonious vocal during different parts of their songs. Plus, he has that bald thing goin’ on and we all know that bald is the new sexy. Yes, bald brought sexy back! All in all, I truly enjoyed them and am definitely adding their tunes to my coveted iPod playlist.
Jacksonville, FL 2.3.09 By: Kelly Lloyd All I can say is wow! I definitely ended up digging Soilwork much more than I expected. Being a softer rock kinda gal, I am somewhat guilty of forming predispositions in my mind whenever I hear the word metal associated with any one band, as metal is not one of the genres I normally listen to. Not that I won’t end up liking them, because I ‘m usually pretty good at being open minded and giving love a chance (ha-ha). Although the first band of the evening, Sinerate, seemed to have a combination of metal and melody along with an actual singer not a screamer that I really enjoyed, the next three bands pretty much had that head thrashing screaming sound that made me go outside many times during their sets. I don’t mean to say that I didn’t enjoy what I heard. I actually remember telling my husband several times that I really liked the music from the bands. It was just the continuous screaming “cookie monster” vocals that made me want to gouge my eardrums out. However, when Soilwork took the stage, I was pleased to see and hear a musical metal combination with a lead singer that could actually carry some notes. The band came on stage and immediately started throwing down the heavy licks and animal faces. I was honestly mesmerized by their precisely timed in sync head thrashing. It amazed me that a whole band could throw down in unison like that while continuing to play. That was truly skillful in my eyes. Their songs had a beat that I could move to and singer Bjorn Strid had a voice I found incredibly melodic. Don’t get me wrong, he still had that powerful growl that is prominent in any respectable metal band. On the other hand, he had no problem transitioning into a much smoother harmonious vocal during different parts of their songs. Plus, he has that bald thing goin’ on and we all know that bald is the new sexy. Yes, bald brought sexy back! All in all, I truly enjoyed them and am definitely adding their tunes to my coveted iPod playlist. Daytona, FL 10.18.08 By: Kelly Lloyd And on the 8th day, God created the port-a-potty attendant, which quickly became my best friend at the all day music festival at Destination Daytona. There’s nothing more repulsive than portable johns. However, the attendants kept them clean as a whistle and stocked with TP, making the day even more enjoyable. With headliners Candlebox and a line up including Saliva, Drowning Pool, Nonpoint and 12 Stones, the crowd was treated to a full day of amazing performances and phenomenal tunes. Having seen 12 Stones and Nonpoint in concert many times before, I was already familiar with their show and song delivery. However, Drowning Pool was a treat for me as I hadn’t seen them in over three years and had forgotten what an amazing group of musicians encompass this band. With current lead singer, Ryan McCombs, formerly of the band Soil, Drowning Pool delivered an energetic performance proving to all of us they were still a force to be reckoned with in the rock scene. Saliva also gained some much needed respect in my grade book of awesome rock bands. After busting out on the scene with “Click Click Boom,” every other song of theirs seemed to sound the same to me. I was honestly never impressed with anything else I ever heard of theirs, until I saw them at this show. They truly “brought it” at this show and basically kicked everyone’s collective asses, although I really could’ve done without getting spit on by the guitar player, which is apparently one of his signature moves. I will certainly remember this next time I have the pleasure of seeing them live. Nonetheless, I was duly impressed by their skills, energy and electric performance. Last to hit the stage, my favorite band in the entire universe, Candlebox. Although I’ve had the pleasure of seeing them numerous times this year, each show seems better than the last. Kevin Martin’s vocals never cease to amaze me. His ability to transform from powerful and screaming to smooth and soulful is something only one with naturally gifted talent can accomplish. Not to mention the sexiness that oozes from his “K words”. They have been known to make girls drop their panties and yell, “Take me baby, take me!” All in all, this music festival was a day of fun and great music. St. Augustine, FL 10.10.08 By: Kelly Lloyd If ever there was a band that could touch on a woman’s every emotion, it would be Staind. Reading through their lyrics you think, “Damn, he must have been reading my mind when he wrote that line”. It’s these identifiable lyrics that drove me to travel almost an hour away to experience them live. Aaron Lewis’ voice mesmerized me so that I found myself swaying to the song, instead of snapping his picture. His soulful delivery, combined with his soft and slightly lisped voice, had the crowd on their feet the entire show swaying back and forth and singing along. The crowd grew with excitement as the band started to tear through their hits “It’s Been A While” and “Outside” and a huge cheer exploded as they began “Believe”, one of their more optimistic singles from their latest CD The Illusion Of Progress. However, Staind’s grunge era base was felt when they ran through some of their more dynamic tunes, such as “Falling,” “Schizophrenic Conversation” and “Mudshovel,” a song that combines a really cool melody with a slight evocation of angst. In stark disparity to Lewis’ morose-like mood, lead guitarist, Mike Mushok, was all over the stage thrashing his head back and forth with each riff of his guitar. I found his energy exciting and the exact opposite of the vibe I got from Lewis, bass guitarist Johnny April and drummer Jon Wysocki. They all seemed to be laid back in a tight slow groove. It almost seemed like Mushok was amped up and rockin’ in a whole other realm from the rest of the band. Although to some, their set might have seemed overly laden with slow moving power ballads. I appreciated everything I received from this band and this show. It was an evening of songs I could sing along to, songs I could identify with, songs I find inspiration in and songs that will live in my heart for years to come. Marietta, GA 9.6.08 By: Kelly Lloyd To say this show was a long time coming would be an understatement. It was a long awaited confirmation that Dark new Day isn’t out of the music game as of yet. With the departures of their two main guitarists, Clint Lowery and Troy McLawhorn, coupled with what has appeared to be little to no label support since their touring ended in support of their debut CD Twelve Year Silence, the future of the band has been questionable in the minds of all fans. Those fears were partially put to rest as soon as we were able to witness the undeniable solidity of their restructured lineup. With new guitarist BC Kochmit (Switched) and original members: front man Brett Hestla, filling the 2nd guitar spot, bassist Corey Lowery and drummer Will Hunt; Dark new Day put on one amazing show! Kochmit firmly took over doing several of the solos, making it apparent that although greatly missed, the band was going to excel in light of the recent band member changes. We’ll just have to hope the band is still just as hungry as their fans’ appetite for them. Making this night all the more special, the band was rejoined by original guitarist Clint Lowery, who was back in Atlanta due to a change in Sevendust’s tour schedule. Opening with “Taking Me Alive,” one of the harder songs from their debut CD, the crowd was treated to an unbelievable combination of some of the best musicians in rock today. Tearing through a set list that included a mixture of their prior hits: “Lean,” Bare Bones” and my favorite, “Free,” combined with some of their new recordings such as: “Fiend,” “Goodbye” and “Anywhere,” the boys were extremely tight and in tune with each other, despite Clint’s last minute inclusion. Having supported this band as I have for the last three years, it was an even more special show for me. To finally get to see them back at it, despite the frustration of the last few years, and to further share in the rare momentous event of Clint’s guest appearance made the night that much more dear to my heart. There were several fans that flew in from states afar, or like me, drove for hours and hours just to show support for a band we’ve loved for so long. To see the DnD family together on stage once again, playing, laughing, sharing and having fun was a wonderful feeling for us all. The evening came to a close with a warm acoustic solo performance by Hestla of “Follow the Sun Down,” which he laughingly proclaimed was “sprung on him” at the last minute. Despite this, he touched all of our hearts with his soulful voice as he sang this song, a reminder to us all to every now and then set aside the daily worries in our lives to enjoy life. This show left us all wanting more and renewed our love and support for these guys who, in our eyes, haven’t been given the respect they’re due. Hopefully, this show renewed DnD’s spirit as it did all their fans and the best is yet to come! Raleigh, NC 9.5.08 By: Kelly Lloyd Wind and rain set the scene for the meeting of two Lowerys on one stage. Hurricane Hanna was looming in our midst all week threatening to wreak serious havoc on our plans. However, all of our prayers were answered when she made a last minute diversion, allowing us to attend this unprecedented event. Dustin was the first Lowery to grace the stage with his Fayetteville based band New Era Project. From the first note sung, it was more than apparent the musical gene runs deep in the Lowery family. The band opened with “The March,” followed by my favorite NEP tune, “Redemption,” a song co-written by Dustin’s older brother Clint. Backed by Matt Crain on lead guitar, Andy Lowry on bass and Ben Williamson on drums, Dustin’s warm and charming personality definitely came through as I was repeatedly drawn into his performance, forgetting I was also supposed to be snapping pictures. The band was overwhelmingly tight, although each member appeared relaxed and in his own separate groove, a reflection of their ability to “feel” each other. This tone kept the crowd rockin’ as they ripped through their set list including my other favorites, “Just Like You” and “Alone Time,” while also throwing in their rendition of Kings X “Dog Man.” During the entire set, you could see Brother Clint and Sevendust band mates Lajon Witherspoon and Morgan Rose watching from side stage. Although this was my third Sevendust show this year, the vibe of this one seemed more electric, quite possibly due to the extended number of the Lowery family in the attendance, but what made this performance even more special for the fans was the double dose of Lowery we were being treated to. Sevendust was spectacular as usual, peppering through their set list while the fans surfed across the crowd and slammed into each other without mercy until the lights dimmed and the spotlight lit up Clint playing the first chords of “Angel’s Son.” The crowd hushed and lighters were lit as Witherspoon began to sing a song so dear to the heart of every Sevendust fan. As the stage lights illuminated even more, you could see Dustin standing next to Witherspoon and the crowd rushed with excitement at the thought of this duet. You could feel a peace in the air and a calmness come over everyone witnessing this amazing experience. Their voices touched my heart and brought a tear to my eye as I thought about the meaning of this song and it’s ode to all the loved ones I’ve lost in my lifetime. To share this experience with Clint, Dustin, their band mates and their family was a special once in a lifetime experience and definitely made my 6 hour drive to Raleigh a small price to pay in exchange for this gift of such a magical performance. Orlando, FL 8.22.08 By: Kelly Lloyd Most will agree that a certain song or band can take you back to a significant time in your life. Memories of the good times when you were young and carefree, a love lost somewhere along the way of broken hearts, or perhaps a struggle or certain bump in the road that had it not been for the music you feel certain you would not have overcome. For me, this band is Candlebox. Having disappeared from the music scene for about 10 years, Candlebox is back with a vengeance and it was none more evident than their show at the House of Blues in Orlando. Opening with “You,” their mega hit off their 1993 self-titled album, they had the crowd singing along before blazing into “Bitches Brewin” and “Into the Sun,” the title track from their fourth released studio album. It was clear to all in attendance that Kevin Martin’s voice had definitely withstood the sands of time. Martin was backed by original members Peter Klett on lead guitar and Scott Mercado on drums, along with newcomers Adam Kury on bass and Sean Hennesey on rhythm guitar. With the perfect mixture of rock and blues, the boys held the crowd by their fingertips as they took us on a lyrical journey that could be felt deep within the soul. Martin’s acoustic solo of “Sometimes” brought tears to my eyes as the memories of a time long ago swirled through my head. The band rejoined him as he transitioned directly into “Consider Us,” causing my tears to flow for a song that touches my heart in the place so obviously intended. Over what amounted to be an approximate 90 minute set, the band delivered a tight and electric performance. Their knack for engaging the crowd into the mood of each song is phenomenal! Playing a heavy mixture of their old stuff along with the new, the crowd sang along note for note, word for word, as Martin delivered one of the most amazing performances I have ever witnessed, a vocal range that goes from tender and soulful to strong and powerful without effort. Orlando, FL 8.5.08 By: Kelly Lloyd The excitement began when I arrived at the hotel and received a call from a friend also attending the show. He shouted, "Hey, I just met John Connolly. He just walked by the line." It was 2 PM, the venue doors wouldn't open until 7 that evening. This is indicative of the passion of a Sevendust fan! A passion so astounding that it drives people to get in line hours early to insure a front and center position on the barricade. The lights dimmed just as the Welcome Back Kotter theme began to play, a reference to the return of guitarist Clint Lowery. It was Lowery's first Orlando show since his return and it was obvious the fans were more than psyched about the reunion. The curtain opened and the crowd went crazy as Sevendust hit the stage and opened with "Inside" from their latest CD, Chapter VII: Hope and Sorrow. The only word to describe the mood of the venue is insane. The energy between the fans and the band was electrifying. Hands were steady throwing devil horns in the air and heads were thrashing back and forth as the band ripped through their set list. Witherspoon, Connolly, Lowery and Hornsby were all over the stage, demanding the fans to shout, sing and play air guitar along with them and the crowd was happy to oblige. The "mosh pitters" really gave security a run for their money as people were thrown all about. That is until the lights dimmed, the band quieted and Witherspoon said, "We do this song, because Cash did it". The crowd immediately calmed down and over the whistling and "woo hoos," you could hear Lowery begin the first chords of "Hurt". A wave of peace came across the venue as lighters began to flicker in the air and cell phones were opened in deference to the mood. Lowery's soothing voice held the crowd's rowdiness at bay as the band transitioned from "Hurt" directly into "Angel's Son, " another song that reflects the band's diversity from heavy to soft and tender. With Lowery's return to the band, the set list expanded to include these songs, in addition to "Suffocate," a favorite of many Sevendust fans. You could feel the appreciation from the crowd. Once the moment of tenderness was over, the band tore into "Prodigal Son," the first single from their latest CD and continued to rip and shred through the rest of their set. After the show, I stood at the bar as the "mosh pit inhabitants" came walking by all disheveled with clothes torn; bruised and bloodied, but all grinning from ear to ear after witnessing the chaos, the insanity and the power of the beast that is Sevendust! Ormond Beach, FL 6.28.08 By: Kelly Lloyd As I stood in the photo pit, my first time ever, I was both excited and nervous waiting for the band to grace the stage. Looking back at the crowd, the faces were tremendously diverse. There was a 58 year old Grandmother, a 34 year old Mom and her 14 year Daughter directly behind me, three generations rocking out directly on the barricade. There was a group of 3 boys, possibly in their late teens, sporting baseball caps (one of them an ode to John Deere) and there was little John John, about 5 years old, who would throw up his devil horns proudly displaying his black finger nail polish every time I looked his way. This varied group had gathered at Destination Daytona to see a little band we like to call Buckcherry. As the lights dimmed, the crowd squealed with anticipation. As the stage lit up, the band immediately threw down with "Tired of you". The energy between the Buckcherry boys and the crowd was overwhelming. The band was unbelievably tight, pulling the crowd more into the show with each guitar lick and pound of the skins. Josh Todd has one of the best rock voices today, raspy, but powerful. The crowd was enthralled as the band tore through their set list including: Ridin'," "Porno Star," 'Everything," "Sorry" and "Lit Up". However, when the band hit that first drum beat, that first guitar riff and Todd belted out that first "You're crazy, but I like the way you fuck me," I've never heard such a loud roar come across a crowd of people as I did! Everyone went nuts, singing at the tops of their lungs the girls throwing their hands in the air proudly displaying their "Crazy Bitch" status, while the fellas "high fived" and "Hell yeahed" each other at the jest of the song (an aphrodisiac for what would possibly come later). Perhaps, the modern day version of Marvin Gaye's "Let's Get It On". From the looks of the fans, Buckcherry definitely brought it" and delivered a powerful performance that, I'm sure, reverberated for days after. |
